![]() Meetings such as these usually include lectures by health professionals as well as demonstrations and master classes by artists. This has become an annual conference and is perhaps the most important in the field. In 1983 the first Medical Problems of Musicians and Dancers symposium was held, in conjunction with the Aspen Music Festival, in Aspen, Colorado. Since then, the field of performing arts medicine has advanced rapidly, with conferences, publications, clinics and associations. These were virtually the first well-known musicians to admit to physical problems, so the publicity generated by their cases brought forth a large, previously unknown group of injured artists. In 1981 a New York Times article described the hand problems suffered by pianists Gary Graffman and Leon Fleisher, and their treatment at Massachusetts General Hospital. While injured performers and the health professionals serving them began to cooperate more closely, the general public was unaware of these developments. This has become an annual conference, with proceedings appearing in the Journal of Voice. Also in 1972 the first Care of the Professional Voice Symposium was organized by the Voice Foundation. The conference focused on music and led to the publication of Music and the Brain: Studies in the Neurology of Music, by MacDonald Critchley and R.A. One of the catalysts for the development of performing arts medicine as a cross-disciplinary field was the Danube Symposium on Neurology, held in Vienna in 1972. There was a parallel growth of awareness among dancers. The musical literature also began to carry short items and letters. After World War II, the medical literature began to feature case reports of injured artists. This was the first textbook to bring together all the current knowledge on performing arts medicine. In 1932 the English translation of Kurt Singer’s Diseases of the Music Profession: A Systematic Presentation of Their Causes, Symptoms and Methods of Treatment appeared. Sporadic interest in arts medicine continued through the eighteenth and nineteenth centuries. While interest in the physiology of music making dates back to antiquity, the first real summary of the occupational diseases of performing artists is Bernardino Ramazzini’s 1713 treatise Diseases of Workers.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |