![]() ![]() 41 in C Major Gloria, RV 589 Orchestration: 2 sopranos, alto, mixed chorus, oboe, trumpet, strings, continuo I. Also on the concert program is Mozart’s final Symphony No. The piano reductions by editor Malcolm Bruno are easy to play and preserve the character of the works. Xavier Foley: Latin Paradise Giovanni Bottesini: La Sonnambula. Vivaldi’s Gloria is one of sacred music’s most uplifting choral works a piece of high drama and hidden joy. 1.1 Complete work 1.2.1 Gloria Et in terra pax Laudamus te Gratias agimus tibi 1.2.5 Propter magnam gloriam 1.2.6 Domine Deus Domine Fili unigenite 1.2.8 Domine Deus, Agnus Dei 1.2.9 Qui tollis peccata mundi 1.2.10 Qui sedes ad dexteram 1.2.11 Quoniam tu solus sanctus 1.2.12 Cum Sancto Spiritu 2 General Information 2. A well-established piece in the modern choral repertoire. It can be performed together with the Gloria as a type of short mass.īoth arrangements are based on the recently published Urtext editions of these works. Vocal score of Vivaldis Gloria, for soprano and alto soloists, SATB choir and orchestra. Agnus Dei - Vivaldi Sheet music for Soprano, Alto, Tenor, Bass voice (SATB) Time for Summer Time for Music: 90 OFF 03d: 06h: 48m: 28s View offer 00:00 / 02:40 Off 100 F, d Time for Summer Time for Music 90 OFF Play the music you love without limits for just 7.99 0.77/week. I was reminded of it listening to Jeremy this evening. Composed in Venice circa 1715, Vivaldi presents the traditional Gloria from the Latin Mass in 12 varied cantata-like sections. This is an extract from a BBC 4 programme broadcast some while back. Antonio Vivaldi (1678-1741) glo ri ri ri ri glo glo glo ri ri glo glo glo glo a ri ri a a a glo glo a, a, a, a. ![]() The “Kyrie” RV 587 (BA 8954)for two choirs and two string ensembles, as arranged here for female choir, displays its own charm. The Gloria RV 589 is one of Antonio Vivaldi’s best-known compositions and one of the most frequently performed examples of sacred music from the Baroque era. Antonio Vivaldi wrote 3 Glorias - one is considered lost and the other two have enjoyed contrasting success. Gloria in excelsis Deo del Gloria RV 589. The work, when set for female voices or children’s choir, remains a true masterpiece. Vocal score of Vivaldis Gloria, for soprano and alto soloists, SATB choir and orchestra. Taking this into account, Malcolm Bruno’s careful arrangement for choir SSAA is of some relevance. The work was, in all probability, composed around 1716 during Vivaldi’s time at the Ospedale della Pietà, an orphanage for girls in Venice.Īlthough Vivaldi’s “Gloria” (BA 8953) was written for solo voices and mixed choir, it is likely that it was performed at the girls’ orphanage with female voices only. Adaptive_ocr true Addeddate 13:33:20 Betterpdf true Bookreader-defaults mode/1up Boxid IA1142922 Catalog_time 269 Country US Derive_submittime 22:52:22 Disccount 1 External-identifierīaroque Identifier lp_gloria_antonio-vivaldi-hermann-scherchen-orcheste_0 Identifier-ark ark:/13960/t6wz03c86 Lineage Technics SL1200MK5 Turntable + Audio-Technica AT95e cartridge > Radio Design Labs EZ-PH1 phono preamp > Focusrite Scarlett 2i2 Ocr tesseract 5.0.0-1-g862e Ocr_detected_lang en Ocr_detected_lang_conf 1.0000 Ocr_detected_script Latin Ocr_detected_script_conf 0.8532 Ocr_module_version 0.0.14 Ocr_parameters -l eng Original-ppi 1200 Page_number_confidence 0 Page_number_module_version 1.0.3 Pages 4 Pdf_module_version 0.0.23 Ppi 600 Ripping_date 20211110112024 Ripping_operator Ripping_scanner archivelp-rip-cebu12 Ripping_software_version ArchiveCD Version 2.2.57lp Ripping_stylus archivelp-rip-cebu12-20210706-9eebb48f Ripping_time 2679 Scandate 20211023074025 Scanner archivelp-cat-cebu03 Scanningcenter cebu Software_version ArchiveCD Version 2.2.The “Gloria” RV 589 is one of Vivaldi’s most popular compositions today and one of the most regularly performed sacred vocal works from the Baroque era. Vivaldi composed this Gloria in Venice, probably in 1715, for the choir of the Ospedale della Piet, an orphanage for girls (or more probably a home, generously endowed by the girls’ ‘anonymous’ fathers, for the illegitimate daughters of Venetian noblemen and their mistresses).
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